Animation services

From first question to finished animation: what it costs, how long it takes and which type of animation suits your story.

3D animation productionA honeybee collecting nectar from a yellow flower.

First the question, then the animation

You don't need an animation. You need someone to understand something they don't understand now, and then make a decision.

That sounds like wordplay, but it is the difference between an animation that is used for years and one that appears on the homepage once. So we first ask who needs to understand, and what that person should do afterwards. Only once that is settled do we talk about style, technique and length.

Studio Analoog has been making animations for more than fifteen years for organisations with a complex product, process or innovation. More than 400 projects, for clients including Maeve Aerospace, Fokker Services, Rijkswaterstaat, MARIN, Rhenus and Bühler Group. What those projects have in common: the content is complicated, the audience is critical, and a decision depends on the result.

3D animation of the Edorado electric boat

Most animations fail before a single frame exists

When an animation doesn't work, it is rarely the animation's fault.

It is almost always because nobody agreed beforehand who it is for and what it has to do. Then it becomes a compromise between what marketing wants to show, what sales needs and what the board likes. Compromises are rarely convincing and never memorable.

The second moment where things go wrong is the storyboard. A change of course costs an afternoon at that stage. The same change two weeks later costs a week. Yet most clients only really start looking at the first render, when everything has already become expensive.

We deliberately steer against that. Before the start we agree who has a say and who bundles the feedback, we explain our own choices, and we put the sharpest feedback round on the storyboard instead of on the first full version.

Illustration of a Studio Analoog team member at a desk with a laptopIllustration of a Studio Analoog team member at a desk with a laptop

Curious what an animation would cost in your situation?

Send us your question, or call if it's urgent. You don't need to have anything worked out yet.

Which animation fits your question?

  • Model of a factory with a robot arm assembling parts on a conveyor belt, with solar panels and blue accents.

    EXPLAIN

    Explainer animation

    You want to make a complex process or idea easy to understand. 60 to 120 seconds

  • 3D animation for Kalpana Systems: transparent model of a reactor in a dark room

    3D

    3D animation

    You want to show the inside of a physical product. 30 to 90 seconds

  • Isometric illustration for VPI: doctor and patient in a consulting room

    2D

    2D animation

    You want to tell a story with illustration and movement. 60 to 120 seconds

  • Infographic animation for Maxem: building with solar panels, charging points and energy flows

    DATA

    Infographic animation

    You want figures and data to speak for themselves. 45 to 90 seconds

  • Holographic figure during resuscitation, from the interactive training for UEFA

    INSTRUCTION

    Instruction video

    You want to show how something works or is operated. 90 to 240 seconds

  • Technical 3D animation for Bühler: cutaway machine with the interior visible

    ENGINEERING

    Technical animation

    You want to explain a machine or installation technically. 60 to 120 seconds

  • 3D animation for D.O.R.C.: eye with surgical instruments

    MEDICAL

    Medical animation

    You want to visualise anatomy or a treatment. 60 to 120 seconds

  • Two people at a scale model in an industrial hall, from the brand film for Advario

    ORGANISATION

    Corporate animation

    You want to present your organisation as a whole. 90 to 180 seconds

  • Maeve Aerospace electric aircraft flying above the landscape

    PITCH

    Pitch video

    You want to convince investors in your funding round. 60 seconds at most

  • Isometric 3D animation of an installation at night, with glowing red parts

    SUSTAINABILITY

    Sustainability animation

    You want to show how your impact works, without greenwashing. 60 to 120 seconds

Our work

  • Maeve Aerospace electric aircraft flying above the landscape

    Maeve Aerospace

    3D ANIMATION

    Making an aircraft that did not yet exist convincing for investors. The animation became part of their investor presentation.

  • Bottle of avocado oil floating among lemon wedges, garlic and herbs, with oil splashing against a light background.

    Westfalia Fruit

    WEBSITE CONTENT & ANIMATION

    Making a global supply chain and sustainability strategy tangible for stakeholders. The project won a Gold Lovie Award and a People's Lovie Award.

  • 3D animation for MARIN's Zero Emission Lab: parts of the lab as blocks side by side

    MARIN

    EXPLAINER ANIMATION

    Explaining the Zero Emission Lab to technical partners and a wider audience, in a Dutch and an English version.

  • Holographic figure during resuscitation, from the interactive training for UEFA

    UEFA

    INSTRUCTION ANIMATION

    Teaching football fans CPR during Euro 2024, with animations for the website, social media, TV spots and the stadiums.

  • Technician at an illuminated installation, from the brand film for Fokker Services

    Fokker Services

    REBRAND VIDEO

    After a rebrand, making the technical DNA tangible for customers and partners, with video and 3D animation.

  • Isometric infographic for Rijkswaterstaat: maritime traffic with ships and ports

    Rijkswaterstaat

    PRESENTATION ANIMATION

    Taking decision-makers step by step through Verkeersbeeld op Zee, the maritime traffic picture, in a presentation for the Coastguard Council.

What clients say about
working with us and the results

"Your fantastic artwork helped make our vision understandable! This was extremely valuable in our development process and greatly contributed to securing multiple investment rounds."

Jan Willem Heinen
Co-founder & CEO - Maeve Aerospace
maeve aviation

“We always enjoy working with you! From start to finish, there's excellent communication, clear agreements, and high-quality production. You're constantly contributing ideas to achieve the best possible result, both creatively and technically."

Dave Valk
Designer & Owner - PlusDrie
plusdrie

“By combining your animation skills with our audiovisual expertise, we'll elevate the creative concept to the next level. You'll also deliver the right assets and files on time, and we'll work together to meet the deadline!"

Wouter Kooken
Owner & Creative Director - Blickfänger
blickfanger

"Working with Studio Analoog was impressive! They are true experts in their field. The final product made a huge impact, which we were able to showcase to state officials and important customers."

Jelle Wigboldus
Global Marketeer - Westfalia Fruit
Westfalia Fruit logo
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What does it cost to have an animation made?

The honest version: we are not the cheapest, and that is a choice. Our projects start from €10,000. For that you don't get a single video but a set of assets you can keep using for years.

In concrete terms:
A defined animation, one subject: from €10,000, 4 to 6 weeks for 2D and 6 to 10 weeks for 3D
Explainer or product launch with multiple deliverables: €12,500 to €20,000, 6 to 10 weeks
Ongoing partnership: updates, variants and new modules based on existing assets, on request

All prices exclude VAT and include content research, concept, scenario, storyboard, design, animation, sound design and one feedback round per phase.

What you get for that amount. A main film. Stills, key visuals, short versions and other formats for social can be included as options in the quote, or made after the project. Choosing up front is often more cost-effective, because we set up the production for it from the start. Adding them later can sometimes mean more work. Set up so you can create variants and updates later without starting again. The investment therefore pays off not for one campaign but for several years.

What makes the price go up or down. More expensive: 3D models that have to be built from scratch, multiple languages, many separate scenes, and subjects we need to research in depth. Cheaper per asset used: existing CAD material, a clear starting point from your side, and assets you reuse across several channels.

Where do you fall within that range? We work that out in the first conversation, based on what needs explaining and how much imagery that takes. Allow half an hour.

How an enquiry works with us

You will hear from us within one working day. Usually with a few questions, because a budget that makes sense doesn't come from a single email.

After that there are two routes. If you need a number now, we give a rough estimate based on what you have sent us. If you have half an hour, we discuss the project and you then receive a well-founded scope with a matching budget. The second route gives a better answer, and often a different project than you had in mind.

In a hurry? Feel free to call. We do the same the other way round.

How an animation comes together at our studio

Briefing

After your enquiry you will hear from us within one working day, usually with a few questions. Then we schedule an introduction. We focus straight away on the content and the context: what needs explaining, to whom, and where will the animation be used? Together we map out where the communication friction lies and which decision you want to speed up, whether that is sales, an investor presentation, onboarding or stakeholder communication. Based on that we make a proposal with a clear scope, timeline and budget, including options for reuse. Once approved, we get started.

Concept & storytelling

We translate the substance into a narrative: what does the viewer need to understand first, what comes next, and how do we build towards the core? This is the phase in which we do the most substantive sparring and lay the foundation for an animation that is logically structured. You receive a fully developed concept with core message, structure and tone of voice.

Kick-off

At the kick-off everyone involved sits at the table. We define the storyline, discuss the inspiration and ask each other questions: we about the content, you about the process. We agree the timeline, fix the feedback moments and agree who has a say and who bundles the feedback. That last agreement is the most important one of the whole project.

Storyboarding

The narrative is worked out visually in a storyboard. You see per scene what will appear on screen, how the structure flows and where the accents lie. An animated storyboard also lets you judge the timing. This is the key moment to steer: changes here are fast and save costs further down the production.

Concept design

We develop the visual style: colour palette, atmosphere, level of detail and what the models look like. This can range from hyper-realistic to abstract, depending on what suits the story and the brand. We present the storyboard, animated storyboard and style frames together in the pre-production presentation, on which you give feedback in one round.

Production

The scenes are built, animated and rendered. You get an update and a feedback moment every week, from the first camera animation to the final preview. Because the substantive choices have already been made, this phase remains manageable and predictable.

Sound

Music, sound effects and any voice-over are added. This largely determines the sense of professionalism and pacing. Once you approve the final preview, we render the final images and finish the audio mix.

Release

The animation is delivered in the agreed format, ready for use. You choose extras in the proposal: stills, short versions, formats per channel, subtitles and language versions. We also advise on the best use per channel.

Why organisations with complex stories come to us

Research before production, not alongside it. For Westfalia Fruit that meant getting to grips with the entire supply chain. For MARIN, the Zero Emission Lab. For Maeve Aerospace, an aircraft that did not yet exist. You see that work in animations that hold up when there are specialists in the room, and that is exactly the audience our clients face.

We understand technology from the inside. Founder Joris is an industrial design engineer. That means we can talk to engineers at their level, and we know what happens inside a product before we decide what appears on screen.

Make it once, use it for years. Most of the work happens before the film: research, concept, storyline and design, and for 3D, making the model animation-ready and applying materials. So from the same production we can create scenes, stills, short versions and trade show material, straight away or later. Choosing up front is usually more cost-effective, because the production is then set up for it. An animation that only sits on the homepage is only half the value.

Proof instead of pretty pictures. The animation for Maeve Aerospace became part of their investor presentation. The work for Westfalia Fruit was used in government and client presentations and won a Gold Lovie Award and a People's Lovie Award. The UEFA CPR training is used as real training.

No layer between you and the makers. You talk to the people who make the animation. At a studio our size, that is not a promise but a consequence.

Frequently asked questions about having an animation made

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What does it cost to have an animation made?

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How long does it take to make an animation?

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What is the difference between 2D and 3D animation?

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How long should my animation be?

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How many revision rounds are included?

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Do you write the script?

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What do I need to supply?

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In which formats will I receive the animation?

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Can the animation be made in multiple languages?

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Do you also work for agencies?